A Stained-Glass Tribute to MSCHF’s Jesus and Satan Shoes

This illustration is a personal reinterpretation of the Nike Air Max 97 models famously reworked by the creative collective MSCHF into the Jesus Shoe and the Satan Shoe. Inspired by the tension between those two concepts, I developed a composition that stages them as opposing forces within a religious visual setting. The piece draws from the aesthetics of church stained glass, using symbolism, contrast, and symmetry to frame the shoes as a confrontation between sacred and profane. Through this approach, the project transforms a pop culture reference into a dramatic visual narrative shaped by faith, controversy, and iconography.